Michael Safi
Adark cloud has hung over Delhi these past few weeks, and it isn’t just the pollution. Ever since a September attack by militants in Kashmir killed 19 Indian soldiers, war has been in the air. And, as with the pollution, no part of life here is unaffected. A 65-year-old water-sharing pact between India and Pakistan is apparently being reconsidered. The famous Wagah checkpoint – where audiences watch Indian and Pakistani border guards trade high kicks and handshakes – was briefly shut to the public, reportedly after Pakistani revellers pelted the Indian side with stones.
And last week, after India announced its troops had launched “surgical strikes” in Pakistan-controlled Kashmir, the Indian Motion Picture Producers Association said it, too, was on a war footing. The legion of Pakistani actors and technicians in Bollywood, and other Indian cinema hubs, would be banned from working “until normalcy returns”, it said. The organisation’s president, TP Aggarwal, went even further, saying Pakistanis would be banned from the industry “for ever”, and asking the Indian government to boot them from the country.
The irascible Nana Patekar thinks Bollywood ought to simply shut up about the matter: “Artistes are small insects in front of the nation, we are nothing compared to the country. I don’t want to know what Bollywood says,” he said.
This treatment of Indian Muslim and Pakistani actors takes place against the backdrop of increasing threats to free speech in the world’s largest democracy, according to human rights groups.
Divya Spandana (also known as Ramya), another Indian actor turned politician, was threatened with a civil sedition charge after visiting Pakistan in August. Her crime? Saying India’s rival was “a good country, not hell”. Meanwhile, Pakistan’s cinema lobby has called the restriction on its nationals “deeply regrettable”, and announced its own embargo, pulling all Indian films from Pakistani screens. Indian cinema was already banned in Pakistan for 43 years, after the second Kashmir war between the countries, and only permitted again in 1998. On Thursday, Indian sitcoms and soap operas – already restricted on Pakistani television to 86 minutes a day – were also completely banned by the country’s media regulator.
It is a predictable response, but presents a conundrum for the Pakistani cinemas. “The lifespan of any film is one week; a blockbuster, two weeks. There were a total of 15 Pakistani films released last year,” Khorem Gultasab, the general manager of cinema chain SuperCinema, told the Dawn newspaper.
“Even if you double the amount of each film’s run time, with the few films released, you’re still left with 40-42 weeks of empty screens. What will cinemas do for those weeks?”
https://www.theguardian.com/world/2016/oct/09/indian-films-banned-pakistani-actors-ejected-how-the-kashmir-crisis-is-hitting-bollywood
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