The Associated Press
President Obama made a surprise visit to Afghanistan on Friday as casualties mount since the U.S. escalated the war last year.
Under intense security, Obama landed in night's darkness after a clandestine departure from the White House on Thursday, where plans of his trip into the war zone were tightly guarded.
Obama was to personally thank U.S. troops for their service during the holidays.
The White House said rough weather forced the president to abruptly scrap his plans to meet Afghan President Hamid Karzai in the capital of Kabul. The White House determined the wind, dust and cloud cover made it unsafe for the president to fly by helicopter from the huge military complex in Bagram Air Field to the presidential palace.
In a rapidly changing sequence of events, the White House then said they would speak by secure videoconference -- but later said that, too, was dropped. Instead, the two leaders were expected to speak by phone.In total, Obama was to spend three hours on the ground in Afghanistan, about half the time he had scheduled.
Casualties have been on the rise since Obama deployed 30,000 troops to Afghanistan, with all of them in place by this summer. The higher casualty numbers reflect heavier fighting, especially in the south and east, as NATO forces push deep into insurgent strongholds in a bid to help Karzai's government gain control of more areas of the country and reverse the Taliban's momentum in the nine-year war.
The secret trip has been in the works for more than a month. National Security aide Ben Rhodes said Obama wanted to go to Afghanistan between Thanksgiving and Christmas.
"It's always tough to serve in harm's way but when you're away from loved ones in the holiday season it's particularly hard, and the president wanted the ability to come out and have some time with them," Rhodes said.
Rhodes said the scrapping of the personal visit with Karzai would not have consequences because the two just met at a NATO summit in Lisbon two weeks ago.
Obama's visit to Afghanistan is his latest trip abroad since his party took a beating in the midterm elections last month. After Republicans captured the House and increased their ranks in the Senate on Nov. 2, Obama took a 10-day, four-country trip to Asia that produced setbacks -- he failed to secure a highly sought-after free trade agreement with South Korea and couldn't rally wide-ranging international support for action against China's currency manipulation.
Then he traveled to a NATO summit in Portugal where he was seen as playing a pivotal role in the alliance securing agreements on the Afghanistan war and missile defense.
Before the election, Obama spent just three days abroad this year, having traveled to the Czech Republican and Afghanistan in April. The recent burst of activity on the foreign policy front threatens to overshadow the president's promise to shift focus to the economy.
The government reported on Friday that the economy produced a lackluster 39,000 jobs in November, pushing the unemployment rate up to 9.8 percent, a seven-month high. Economists had forecast a gain of 145,000 jobs.
Obama's visit also comes at a particularly awkward moment in already strained U.S. relations with Afghanistan. Leaked U.S. cables show American diplomats portraying Afghanistan as rife with graft to the highest levels of government, with tens of millions of dollars flowing out of the country and a cash transfer network that facilitates bribes for corrupt Afghan officials, drug traffickers and insurgents.
A main concern in the cables appears to be Karzai himself, who emerges as a mercurial figure. In a July 7, 2009, dispatch, U.S. Ambassador Karl Eikenberry describes "two contrasting portraits" of the Afghan president.
"The first is of a paranoid and weak individual unfamiliar with the basics of nation building and overly self-conscious that his time in the spotlight of glowing reviews from the international community has passed," the cable says. "The other is that of an ever-shrewd politician who sees himself as a nationalist hero. ... In order to recalibrate our relationship with Karzai, we must deal with and challenge both of these personalities."
M WAQAR..... "A man's ethical behavior should be based effectually on sympathy, education, and social ties; no religious basis is necessary.Man would indeed be in a poor way if he had to be restrained by fear of punishment and hope of reward after death." --Albert Einstein !!! NEWS,ARTICLES,EDITORIALS,MUSIC... Ze chi pe mayeen yum da agha pukhtunistan de.....(Liberal,Progressive,Secular World.)''Secularism is not against religion; it is the message of humanity.'' تل ده وی پثتونستآن
Friday, December 3, 2010
Minority Shiites make gains in Afghan poll
A minority Shiite group made gains in the Afghan Parliament after Pashtuns stayed away from the polls, election results indicate.
Afghanistan's Independent Election Commission announced Wednesday it certified the results of the September election for the Wolesi Jirga, the lower house of Parliament.
The minority Hazara community took 59, or about 24 percent, of the 249 seats up for grabs in the September vote, U.S. diplomats told CNN International. The CIA World Factbook indicates the community makes up only 9 percent of the population in Afghanistan.
Pashtuns, the Sunni majority in Afghanistan, didn't turn out in large numbers at the polls because of intimidation or violence in their provincial districts.
Western and Afghan officials told the news agency the disparity could lead to sectarian tensions in the country as it struggles to gain a democratic foothold in the war environment.
More than 2,500 candidates competed for the 249 seats in the Wolesi Jirga. The IEC in October threw out around 1.3 million ballots -- about 25 percent of the total cast -- because of irregularities, fraud and tampering.
U.N. officials, while recognizing fraud in the election, praised Afghan authorities for investigating the irregularities.
Afghanistan's Independent Election Commission announced Wednesday it certified the results of the September election for the Wolesi Jirga, the lower house of Parliament.
The minority Hazara community took 59, or about 24 percent, of the 249 seats up for grabs in the September vote, U.S. diplomats told CNN International. The CIA World Factbook indicates the community makes up only 9 percent of the population in Afghanistan.
Pashtuns, the Sunni majority in Afghanistan, didn't turn out in large numbers at the polls because of intimidation or violence in their provincial districts.
Western and Afghan officials told the news agency the disparity could lead to sectarian tensions in the country as it struggles to gain a democratic foothold in the war environment.
More than 2,500 candidates competed for the 249 seats in the Wolesi Jirga. The IEC in October threw out around 1.3 million ballots -- about 25 percent of the total cast -- because of irregularities, fraud and tampering.
U.N. officials, while recognizing fraud in the election, praised Afghan authorities for investigating the irregularities.
Bhutto: For Pakistan's Heroine, A Hagiography
A new documentary about Benazir Bhutto lets a full hour go by before entertaining the mildest doubts about its subject, the hugely popular prime minister of Pakistan who was assassinated on her triumphant return to Karachi from exile in 2007.
Bhutto is smart and thorough on the inflamed history of Pakistan. But as a portrait of the first woman elected head of state in an Islamic nation, it comes closer to hero-worship than to considered biography. Front-loaded with glowing testimonials from family and FOB's East and West, the movie gives a startling degree of face time to its own co-producer, Mark Siegel, a political consultant and close friend of Bhutto who co-authored a book with her.
The director, Duane Baughman, also a political consultant, helped get Michael Bloomberg and Hillary Clinton elected, so he knows how to brand a public figure, dead or alive.
Not that this particular public figure needs much enlarging. Bhutto’s sense of mission and her personal courage, as she returned again and again to try and democratize a nation whose military leaders blithely murdered their opposition, are beyond dispute. Like her adored father Zulfikar Ali Bhutto, Pakistan’s first democratically elected head of state (and the creator of its nuclear program), she struggled to bring basic services to a country mired in poverty, illiteracy and chronic conflict across its volatile borders with India, Afghanistan and Iran — to say nothing of its ambivalent dependency on a United States worried to death by the Taliban, al-Qaida and the enriched uranium in Pakistan’s nuclear arsenals.
About Bhutto’s failings and mistakes, however, the film is discreet to the point of squeamishness. Luckily, this magnificently complicated woman’s contradictions tumble out anyway. Almost despite itself, the movie offers a riveting melodrama about a daddy’s girl born into a close but feuding Western-educated dynasty known both for its populist politics and its champagne tastes. (The Bhuttos were thought of — admiringly, Baughman implies, though given the straits in which most Pakistanis live, one wonders — as the Kennedys of Pakistan.)
From grieving family and friends (inevitably, Arianna Huffington was a pal at Oxford), we learn of a serious-minded young woman freed from her burqa by Dad while still in her teens. At Harvard, where she roomed with Kathleen Kennedy, she absorbed feminism and leftist politics.
Yet later she willingly submitted to an arranged marriage with a Karachi playboy-entrepreneur, Asif Ali Zardari, who has been Pakistan’s president since the fall of Pervez Musharraf in 2008. She prayed to Allah in public, yet worked hard to bring schooling to girls in an Islamic state vehemently opposed to rights for women.
Bhutto inherited her father’s charm, charisma and elegant tailoring, as well as his preference for backroom wheeler-dealing. Remarkably, her father chose Benazir over her two brothers as his successor, and her political career eerily echoed his, zigzagging between triumph, prison, exile and return to repeated rapturous welcomes from adoring masses.
Bookended by footage of the sniper fire and suicide bombing that killed her, Bhutto faithfully follows the hectic arcs of her life and death. Yet the movie glides smoothly past the corruption charges — never proved or disproved — that led to Bhutto's exile and her husband's imprisonment, effectively dismissing them as trumped up by her enemies. Much time is spent, meanwhile, on the moving but sentimental memories of her tearful family, topped up with new but unedifying audiotapes of Bhutto herself outlining her ideals, the harshness of her incarceration in a Pakistani prison and the loneliness of exile in Dubai.
Bhutto could stand a less adulatory tone — and more reliable skeptics than her clearly disgruntled niece, for instance, when it comes to topics such as Bhutto's role in the mysterious plane crash that killed the military dictator responsible for her father's murder. Despite herself, and for all her efforts toward reconciliation, Bhutto proved an enormously polarizing figure.
Perhaps she had no choice, in a country so riven by internal strife and external threat. At its best, Bhutto is a fascinating study in the difficulties of bringing democracy to a radically unstable nation plagued by its colonial legacy, by the cowboy politics of a dictatorial military, by daily terrorism and the sporadic interventions of world powers arguably less interested in rural voting rights than in pushing their own interests on the global stage.
Bhutto’s untimely death at 54 years old was a private tragedy and a tremendous loss for a country desperate for moderate leadership. But she was a heroine, not a saint. Eliding this distinction, Bhutto unwittingly diminishes her.
Bhutto is smart and thorough on the inflamed history of Pakistan. But as a portrait of the first woman elected head of state in an Islamic nation, it comes closer to hero-worship than to considered biography. Front-loaded with glowing testimonials from family and FOB's East and West, the movie gives a startling degree of face time to its own co-producer, Mark Siegel, a political consultant and close friend of Bhutto who co-authored a book with her.
The director, Duane Baughman, also a political consultant, helped get Michael Bloomberg and Hillary Clinton elected, so he knows how to brand a public figure, dead or alive.
Not that this particular public figure needs much enlarging. Bhutto’s sense of mission and her personal courage, as she returned again and again to try and democratize a nation whose military leaders blithely murdered their opposition, are beyond dispute. Like her adored father Zulfikar Ali Bhutto, Pakistan’s first democratically elected head of state (and the creator of its nuclear program), she struggled to bring basic services to a country mired in poverty, illiteracy and chronic conflict across its volatile borders with India, Afghanistan and Iran — to say nothing of its ambivalent dependency on a United States worried to death by the Taliban, al-Qaida and the enriched uranium in Pakistan’s nuclear arsenals.
About Bhutto’s failings and mistakes, however, the film is discreet to the point of squeamishness. Luckily, this magnificently complicated woman’s contradictions tumble out anyway. Almost despite itself, the movie offers a riveting melodrama about a daddy’s girl born into a close but feuding Western-educated dynasty known both for its populist politics and its champagne tastes. (The Bhuttos were thought of — admiringly, Baughman implies, though given the straits in which most Pakistanis live, one wonders — as the Kennedys of Pakistan.)
From grieving family and friends (inevitably, Arianna Huffington was a pal at Oxford), we learn of a serious-minded young woman freed from her burqa by Dad while still in her teens. At Harvard, where she roomed with Kathleen Kennedy, she absorbed feminism and leftist politics.
Yet later she willingly submitted to an arranged marriage with a Karachi playboy-entrepreneur, Asif Ali Zardari, who has been Pakistan’s president since the fall of Pervez Musharraf in 2008. She prayed to Allah in public, yet worked hard to bring schooling to girls in an Islamic state vehemently opposed to rights for women.
Bhutto inherited her father’s charm, charisma and elegant tailoring, as well as his preference for backroom wheeler-dealing. Remarkably, her father chose Benazir over her two brothers as his successor, and her political career eerily echoed his, zigzagging between triumph, prison, exile and return to repeated rapturous welcomes from adoring masses.
Bookended by footage of the sniper fire and suicide bombing that killed her, Bhutto faithfully follows the hectic arcs of her life and death. Yet the movie glides smoothly past the corruption charges — never proved or disproved — that led to Bhutto's exile and her husband's imprisonment, effectively dismissing them as trumped up by her enemies. Much time is spent, meanwhile, on the moving but sentimental memories of her tearful family, topped up with new but unedifying audiotapes of Bhutto herself outlining her ideals, the harshness of her incarceration in a Pakistani prison and the loneliness of exile in Dubai.
Bhutto could stand a less adulatory tone — and more reliable skeptics than her clearly disgruntled niece, for instance, when it comes to topics such as Bhutto's role in the mysterious plane crash that killed the military dictator responsible for her father's murder. Despite herself, and for all her efforts toward reconciliation, Bhutto proved an enormously polarizing figure.
Perhaps she had no choice, in a country so riven by internal strife and external threat. At its best, Bhutto is a fascinating study in the difficulties of bringing democracy to a radically unstable nation plagued by its colonial legacy, by the cowboy politics of a dictatorial military, by daily terrorism and the sporadic interventions of world powers arguably less interested in rural voting rights than in pushing their own interests on the global stage.
Bhutto’s untimely death at 54 years old was a private tragedy and a tremendous loss for a country desperate for moderate leadership. But she was a heroine, not a saint. Eliding this distinction, Bhutto unwittingly diminishes her.
'Bhutto': For Pakistan's Heroine, A Hagiography
www.npr.org
http://www.npr.org/2010/12/02/131698909/-bhutto-for-pakistan-s-heroine-a-hagiography
A new documentary about Benazir Bhutto lets a full hour go by before entertaining the mildest doubts about its subject, the hugely popular prime minister of Pakistan who was assassinated on her triumphant return to Karachi from exile in 2007.
Bhutto is smart and thorough on the inflamed history of Pakistan. But as a portrait of the first woman elected head of state in an Islamic nation, it comes closer to hero-worship than to considered biography. Front-loaded with glowing testimonials from family and FOB's East and West, the movie gives a startling degree of face time to its own co-producer, Mark Siegel, a political consultant and close friend of Bhutto who co-authored a book with her.
The director, Duane Baughman, also a political consultant, helped get Michael Bloomberg and Hillary Clinton elected, so he knows how to brand a public figure, dead or alive.
Not that this particular public figure needs much enlarging. Bhutto’s sense of mission and her personal courage, as she returned again and again to try and democratize a nation whose military leaders blithely murdered their opposition, are beyond dispute. Like her adored father Zulfikar Ali Bhutto, Pakistan’s first democratically elected head of state (and the creator of its nuclear program), she struggled to bring basic services to a country mired in poverty, illiteracy and chronic conflict across its volatile borders with India, Afghanistan and Iran — to say nothing of its ambivalent dependency on a United States worried to death by the Taliban, al-Qaida and the enriched uranium in Pakistan’s nuclear arsenals.
About Bhutto’s failings and mistakes, however, the film is discreet to the point of squeamishness. Luckily, this magnificently complicated woman’s contradictions tumble out anyway. Almost despite itself, the movie offers a riveting melodrama about a daddy’s girl born into a close but feuding Western-educated dynasty known both for its populist politics and its champagne tastes. (The Bhuttos were thought of — admiringly, Baughman implies, though given the straits in which most Pakistanis live, one wonders — as the Kennedys of Pakistan.)
From grieving family and friends (inevitably, Arianna Huffington was a pal at Oxford), we learn of a serious-minded young woman freed from her burqa by Dad while still in her teens. At Harvard, where she roomed with Kathleen Kennedy, she absorbed feminism and leftist politics.
Yet later she willingly submitted to an arranged marriage with a Karachi playboy-entrepreneur, Asif Ali Zardari, who has been Pakistan’s president since the fall of Pervez Musharraf in 2008. She prayed to Allah in public, yet worked hard to bring schooling to girls in an Islamic state vehemently opposed to rights for women.
Bhutto inherited her father’s charm, charisma and elegant tailoring, as well as his preference for backroom wheeler-dealing. Remarkably, her father chose Benazir over her two brothers as his successor, and her political career eerily echoed his, zigzagging between triumph, prison, exile and return to repeated rapturous welcomes from adoring masses.
Bookended by footage of the sniper fire and suicide bombing that killed her, Bhutto faithfully follows the hectic arcs of her life and death. Yet the movie glides smoothly past the corruption charges — never proved or disproved — that led to Bhutto's exile and her husband's imprisonment, effectively dismissing them as trumped up by her enemies. Much time is spent, meanwhile, on the moving but sentimental memories of her tearful family, topped up with new but unedifying audiotapes of Bhutto herself outlining her ideals, the harshness of her incarceration in a Pakistani prison and the loneliness of exile in Dubai.
Bhutto could stand a less adulatory tone — and more reliable skeptics than her clearly disgruntled niece, for instance, when it comes to topics such as Bhutto's role in the mysterious plane crash that killed the military dictator responsible for her father's murder. Despite herself, and for all her efforts toward reconciliation, Bhutto proved an enormously polarizing figure.
Perhaps she had no choice, in a country so riven by internal strife and external threat. At its best, Bhutto is a fascinating study in the difficulties of bringing democracy to a radically unstable nation plagued by its colonial legacy, by the cowboy politics of a dictatorial military, by daily terrorism and the sporadic interventions of world powers arguably less interested in rural voting rights than in pushing their own interests on the global stage.
Bhutto’s untimely death at 54 years old was a private tragedy and a tremendous loss for a country desperate for moderate leadership. But she was a heroine, not a saint. Eliding this distinction, Bhutto unwittingly diminishes her.
http://www.npr.org/2010/12/02/131698909/-bhutto-for-pakistan-s-heroine-a-hagiography
A new documentary about Benazir Bhutto lets a full hour go by before entertaining the mildest doubts about its subject, the hugely popular prime minister of Pakistan who was assassinated on her triumphant return to Karachi from exile in 2007.
Bhutto is smart and thorough on the inflamed history of Pakistan. But as a portrait of the first woman elected head of state in an Islamic nation, it comes closer to hero-worship than to considered biography. Front-loaded with glowing testimonials from family and FOB's East and West, the movie gives a startling degree of face time to its own co-producer, Mark Siegel, a political consultant and close friend of Bhutto who co-authored a book with her.
The director, Duane Baughman, also a political consultant, helped get Michael Bloomberg and Hillary Clinton elected, so he knows how to brand a public figure, dead or alive.
Not that this particular public figure needs much enlarging. Bhutto’s sense of mission and her personal courage, as she returned again and again to try and democratize a nation whose military leaders blithely murdered their opposition, are beyond dispute. Like her adored father Zulfikar Ali Bhutto, Pakistan’s first democratically elected head of state (and the creator of its nuclear program), she struggled to bring basic services to a country mired in poverty, illiteracy and chronic conflict across its volatile borders with India, Afghanistan and Iran — to say nothing of its ambivalent dependency on a United States worried to death by the Taliban, al-Qaida and the enriched uranium in Pakistan’s nuclear arsenals.
About Bhutto’s failings and mistakes, however, the film is discreet to the point of squeamishness. Luckily, this magnificently complicated woman’s contradictions tumble out anyway. Almost despite itself, the movie offers a riveting melodrama about a daddy’s girl born into a close but feuding Western-educated dynasty known both for its populist politics and its champagne tastes. (The Bhuttos were thought of — admiringly, Baughman implies, though given the straits in which most Pakistanis live, one wonders — as the Kennedys of Pakistan.)
From grieving family and friends (inevitably, Arianna Huffington was a pal at Oxford), we learn of a serious-minded young woman freed from her burqa by Dad while still in her teens. At Harvard, where she roomed with Kathleen Kennedy, she absorbed feminism and leftist politics.
Yet later she willingly submitted to an arranged marriage with a Karachi playboy-entrepreneur, Asif Ali Zardari, who has been Pakistan’s president since the fall of Pervez Musharraf in 2008. She prayed to Allah in public, yet worked hard to bring schooling to girls in an Islamic state vehemently opposed to rights for women.
Bhutto inherited her father’s charm, charisma and elegant tailoring, as well as his preference for backroom wheeler-dealing. Remarkably, her father chose Benazir over her two brothers as his successor, and her political career eerily echoed his, zigzagging between triumph, prison, exile and return to repeated rapturous welcomes from adoring masses.
Bookended by footage of the sniper fire and suicide bombing that killed her, Bhutto faithfully follows the hectic arcs of her life and death. Yet the movie glides smoothly past the corruption charges — never proved or disproved — that led to Bhutto's exile and her husband's imprisonment, effectively dismissing them as trumped up by her enemies. Much time is spent, meanwhile, on the moving but sentimental memories of her tearful family, topped up with new but unedifying audiotapes of Bhutto herself outlining her ideals, the harshness of her incarceration in a Pakistani prison and the loneliness of exile in Dubai.
Bhutto could stand a less adulatory tone — and more reliable skeptics than her clearly disgruntled niece, for instance, when it comes to topics such as Bhutto's role in the mysterious plane crash that killed the military dictator responsible for her father's murder. Despite herself, and for all her efforts toward reconciliation, Bhutto proved an enormously polarizing figure.
Perhaps she had no choice, in a country so riven by internal strife and external threat. At its best, Bhutto is a fascinating study in the difficulties of bringing democracy to a radically unstable nation plagued by its colonial legacy, by the cowboy politics of a dictatorial military, by daily terrorism and the sporadic interventions of world powers arguably less interested in rural voting rights than in pushing their own interests on the global stage.
Bhutto’s untimely death at 54 years old was a private tragedy and a tremendous loss for a country desperate for moderate leadership. But she was a heroine, not a saint. Eliding this distinction, Bhutto unwittingly diminishes her.
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